Sunday, August 19, 2012—Long Beach, California
Hot apartment, still (as in both continuing and no movement, of the air). 1:27 AM, lying on sweaty sheets, listening to the Grateful Dead, Dick’s Picks Volume 8 (live in Binghamton, sometime in 1970—I forget the exact date). I’ve been reading Demanding the Impossible: A History of Anarchism, by Peter Marshal. Though I’ve never read it before, at times I feel like I have—many of the threads of thought it discusses are very similar to what I’ve been thinking for a long time. Other than a bit of Emma Goldman, I’ve never read any anarchists thinkers. It’s interesting how I came to such similar conclusions on my own, thru my own hard experience. Back to the Dead. I’ve been listening to a lot of them lately, been reading too Dennis Mcnally’s biography of them, A Long Strange Trip. Rediscovering something special in my life I’d lost touch with. I’d love to go to a Dead show right now … but the long strange trip has fragmented, hasn’t it?
The following afternoon. Early this morning I felt the compulsion to write, but one paragraph in I suddenly became really tired and crashed. I can’t really pick back up on the sweaty languid mood I had going then, though I am feeling a similarly ambivalent. Realizing that I’ve been working too hard for a long time. I want more nights of lounging around listening to music. I’ve neglected myself in recent years. I don’t want to work my way thru life anymore—I want to do something more like dance my way thru it. I define work as doing that which does not fulfill you (in other words, if you enjoy it it can’t possibly be work, though it might involve a great deal of effort). Given that definition, nobody should ever base their life around work—it should be something to be banished from your life. There, I figured it out, said it—now I’m done working forever!
Speaking of not working (writing), I got the new prototype of Edgewater in the mail yesterday. The book has turned out great. The painting looks like its painted right on the cover, which is what I was hoping for. I like the white paper we’ve chosen for the cover; it’s like a snowy version of the old Black Sparrow Press covers. Eric printed the insides on white paper, just because that was what he had, but I think it looks so good with the white cover that I’m going to stick with it instead of the natural colored paper I’d planned on using. I also like that I got rid of the bullshit blurbs on the back (I replaced them with an email to a friend concerning the book). All and all, I couldn’t be happier with it. All we have to do is do a few minor tweaks and print it up. It should be officially released early next month, only a week of two later than originally planned before all the cover issues arose.
Feeling again the urge to paint; I haven’t touch a brush since I finished the cover painting for Edgewater. I have some interesting ideas abound combining abstract images with text. Images of passages from Thoreau (why his work I’m not sure) partially extant thru structures of color, waving, bleeding, chipped—the equivalent of archaeological site in paint: inscription partially worn away, fragmented by time replaced by these emerging colors. I’m not sure if I’m explain this well, but the images are pretty strong in my head, stronger than painting ideas have been in a long time.
Odds and ends. Still not writing much. I’ve got a good opening to the new Backwaters book, but at the moment am lacking the inspiration to continue it—still too burnt out on that series. I also feel like the next move with it is still jelling in my head. My first day back at school starts tomorrow. Not looking forward to it. Not dreading it either. I’ve arrange to buy Greg’s Seagull acoustic guitar from him (how I’m going to get it here from Santa Cruz I’m not sure). I’m really looking forward to playing again—it’s been many years. Though I’m not writing much, I do feel creative at the moment. I think this means I’m in a good place to start relearning the guitar. There must be a reason I’ve decided to pick it up again now … Still working on my Greek, though I’ve lost a little of the intensity lately, mainly, I think, because my apartment has been so hot I can’t concentrate. Missing Greece too. Though I know it was the right decision, I can’t help feeling that I really missed out on something by not going again this summer. Gavdos sunlight calling me from the other side of the world ...
Hot apartment, still (as in both continuing and no movement, of the air). 1:27 AM, lying on sweaty sheets, listening to the Grateful Dead, Dick’s Picks Volume 8 (live in Binghamton, sometime in 1970—I forget the exact date). I’ve been reading Demanding the Impossible: A History of Anarchism, by Peter Marshal. Though I’ve never read it before, at times I feel like I have—many of the threads of thought it discusses are very similar to what I’ve been thinking for a long time. Other than a bit of Emma Goldman, I’ve never read any anarchists thinkers. It’s interesting how I came to such similar conclusions on my own, thru my own hard experience. Back to the Dead. I’ve been listening to a lot of them lately, been reading too Dennis Mcnally’s biography of them, A Long Strange Trip. Rediscovering something special in my life I’d lost touch with. I’d love to go to a Dead show right now … but the long strange trip has fragmented, hasn’t it?
The following afternoon. Early this morning I felt the compulsion to write, but one paragraph in I suddenly became really tired and crashed. I can’t really pick back up on the sweaty languid mood I had going then, though I am feeling a similarly ambivalent. Realizing that I’ve been working too hard for a long time. I want more nights of lounging around listening to music. I’ve neglected myself in recent years. I don’t want to work my way thru life anymore—I want to do something more like dance my way thru it. I define work as doing that which does not fulfill you (in other words, if you enjoy it it can’t possibly be work, though it might involve a great deal of effort). Given that definition, nobody should ever base their life around work—it should be something to be banished from your life. There, I figured it out, said it—now I’m done working forever!
Speaking of not working (writing), I got the new prototype of Edgewater in the mail yesterday. The book has turned out great. The painting looks like its painted right on the cover, which is what I was hoping for. I like the white paper we’ve chosen for the cover; it’s like a snowy version of the old Black Sparrow Press covers. Eric printed the insides on white paper, just because that was what he had, but I think it looks so good with the white cover that I’m going to stick with it instead of the natural colored paper I’d planned on using. I also like that I got rid of the bullshit blurbs on the back (I replaced them with an email to a friend concerning the book). All and all, I couldn’t be happier with it. All we have to do is do a few minor tweaks and print it up. It should be officially released early next month, only a week of two later than originally planned before all the cover issues arose.
Feeling again the urge to paint; I haven’t touch a brush since I finished the cover painting for Edgewater. I have some interesting ideas abound combining abstract images with text. Images of passages from Thoreau (why his work I’m not sure) partially extant thru structures of color, waving, bleeding, chipped—the equivalent of archaeological site in paint: inscription partially worn away, fragmented by time replaced by these emerging colors. I’m not sure if I’m explain this well, but the images are pretty strong in my head, stronger than painting ideas have been in a long time.
Odds and ends. Still not writing much. I’ve got a good opening to the new Backwaters book, but at the moment am lacking the inspiration to continue it—still too burnt out on that series. I also feel like the next move with it is still jelling in my head. My first day back at school starts tomorrow. Not looking forward to it. Not dreading it either. I’ve arrange to buy Greg’s Seagull acoustic guitar from him (how I’m going to get it here from Santa Cruz I’m not sure). I’m really looking forward to playing again—it’s been many years. Though I’m not writing much, I do feel creative at the moment. I think this means I’m in a good place to start relearning the guitar. There must be a reason I’ve decided to pick it up again now … Still working on my Greek, though I’ve lost a little of the intensity lately, mainly, I think, because my apartment has been so hot I can’t concentrate. Missing Greece too. Though I know it was the right decision, I can’t help feeling that I really missed out on something by not going again this summer. Gavdos sunlight calling me from the other side of the world ...