Monday, July 16, 2012

Rain, Relaxation, and Jean Rhys

Friday, July 13, 2012—Long Beach, CA

Rain! Since yesterday we’ve been experiencing a strange tropical depression, which has brought overcast skies, humid heat, and again, rain. This is so strange for Southern California. We can go a decade without summer rain and to have multiple days of it like this is even more odd. While this little intrusion of weather has been interesting, I would like my traditional dry Mediterranean-climate back, please—I don’t like humidity and the last couple days have been like a bad weather patch in Hawai’i. Welcome to Global Warming or just more traditional weirdness? Hard to say, of course …

Not too much going on besides the weather. I’ve been working out a lot—running, bike riding, and lifting weights—and I hit a little wall this afternoon: after going for a run early this afternoon and then eating a late lunch I just kind of collapsed while listening to the Angels game (they’re beating the Yankees 4-2 at the moment), slept hard for an hour or so, and then just vegged out in bed listening to the game, until I decided to write a bit here. The plan for the rest of the evening is to stay in bed, while writing a bit more, studying some Greek, and doing some reading. Every once in a while I get like this—I just need a day (or in this case half a day) where I take it easy. Sometimes I forget how active I am, both physically and mentally—and I’ve finally learned to accept when I need a break. I wish I could get to the point, though, where I plan them into my schedule. As of now I push forward until I drop. It would be healthier if I rested up before that happened …


Speaking of reading … I’m hitting a stretch where I’m stumbling upon some very interesting books. I’ve shelved my Proust redo for the moment (though I do plan on getting back to it) and since before my trip have been tearing thru Jean Rhys novels. Reading her has been a bit of a revelation for me. Her books are so good, so far ahead of her time. She has this simple pared-down style that is paired with an almost post-modern minimalism in regards to plot, which allows the complex emotions and thoughts of her protagonist to flow thru unimpeded. She really has only one story to tell, which she comes at from different angles in each novel. All her tales concern the plight of women who find themselves in the world without means yet strive to live lifes that will give them more than just being someone’s wife, someone’s baby-producing machine. Her characters long for beauty and ask little more than a small amount of fuel to keep their flame up hope alive. But they are trapped in a world where they are dependent on men, mainly for money, mostly because the other woman is the only role society will allow them beyond wifedom; they long to escape being property, but soon find themselves becoming simply a different type of possession. Dark stuff. Claustrophobic. Tense. But beautiful in its execution. Powerful feminist art in everything but name. It’s pretty rare these days that I find a writer who really has something to teach me about writing. But I’m learning a lot from Rhys, a whole lot …

Other reading notes. Still plowing thru a so-so history of the Greek war of independence. Ready to take a break from Jean Rhys and have Dawn Powell’s novel The Wicked Pavilion in the on-deck circle. I’ve never read her before, but I’ve heard so many good things about her stuff that I’m excited and am hopeful that I’ll have found another writer this summer who really works for me.

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