Friday, July 20, 2012—Long Beach, CA
I had a really weird and (I think) interesting dream last night.
I was in Ireland, lying on the ground outdoors on a mild sunny day. I was reading a large book (physically large—like a coffee-table book) of poetry by James Joyce. The poems weren’t anything he’d written in real life, though—they existed only in my dream. The poems were printed on pictures of the Irish country side. As I was reading I noticed that the photo behind a poem was the exact scene that was before me—a kind of living Impressionist mountain scape, featuring lots of greens of course, but also browns, purples, and whites, under a pale blue sky. As I realize what I’m looking at my sister and I begin holding hands, while getting into to beauty of the poem, the picture, and it’s “real life” counterpart (I’m not sure if my sister was there the whole time or if she just appeared at this point in the dream). At about this point I begin to cry, tears of beauty. But a part of me is faking it; I’m putting on some sort of show, for my sister, for myself, and for others I feel are there somewhere but where I cannot now recall.
The scene switched after this. I’m watching TV, back in the U.S., I assume. I’m watching the Charlie Rose Show, except that it’s the late 1970s and Rose has long hair (though he’s not looking all that much younger than he does today). He’s interviewing James Joyce, who in my dream universe is still alive at this late date and doesn’t look any older than his early sixties. He also doesn’t quite look like he does in the photo’s I’ve seen of him—he looks like a cross between James Joyce and Tom Waits. Rose is asking him questions about the book of poetry I’d been reading in Ireland. I’m not really hearing the questions or the answers, though (or maybe I just don’t remember them). I do notice, though that Joyce doesn’t really have a septum, that he essentially has one big nostril, which I find really fascinating and only a little gross. Joyce’s movements are very Tom Waits, very stylized semi-phony American hipster. His voice is a bit Wait’s-like too. He’s wearing one of those old-fashioned English bicycle hats, where the brim is short and connected to the top-part of the hat by a snap.
Later that morning I wake up with opening lines for a poem, a big epic poem, rolling around in my head. The poem has nothing to do with the Joyce poems, except that in my groggy state I see Joyce’s dream work having showed me the way back into my poetry, which I’ve lost touch with since 2009. Here are the lines (I think, I’m not sure what I woke up with and what might have morphed in the several hours since I got out of bed):
We have broken the seal completely
Whirl whirl Californie whirlie whirl
and of course the cattlemen of Stockton
understand the lumber ships in San Pedro and stacked
up across the horizon
touching Japan (Terminal Island)—
into pink dusk
summer palms
And that’s all I’ve got. I don’t think it’s particularly good. Nor do I know what if anything to do with it. But the way I arrived at it is pretty cool. Worth documenting, I think, if nothing else …
I had a really weird and (I think) interesting dream last night.
I was in Ireland, lying on the ground outdoors on a mild sunny day. I was reading a large book (physically large—like a coffee-table book) of poetry by James Joyce. The poems weren’t anything he’d written in real life, though—they existed only in my dream. The poems were printed on pictures of the Irish country side. As I was reading I noticed that the photo behind a poem was the exact scene that was before me—a kind of living Impressionist mountain scape, featuring lots of greens of course, but also browns, purples, and whites, under a pale blue sky. As I realize what I’m looking at my sister and I begin holding hands, while getting into to beauty of the poem, the picture, and it’s “real life” counterpart (I’m not sure if my sister was there the whole time or if she just appeared at this point in the dream). At about this point I begin to cry, tears of beauty. But a part of me is faking it; I’m putting on some sort of show, for my sister, for myself, and for others I feel are there somewhere but where I cannot now recall.
The scene switched after this. I’m watching TV, back in the U.S., I assume. I’m watching the Charlie Rose Show, except that it’s the late 1970s and Rose has long hair (though he’s not looking all that much younger than he does today). He’s interviewing James Joyce, who in my dream universe is still alive at this late date and doesn’t look any older than his early sixties. He also doesn’t quite look like he does in the photo’s I’ve seen of him—he looks like a cross between James Joyce and Tom Waits. Rose is asking him questions about the book of poetry I’d been reading in Ireland. I’m not really hearing the questions or the answers, though (or maybe I just don’t remember them). I do notice, though that Joyce doesn’t really have a septum, that he essentially has one big nostril, which I find really fascinating and only a little gross. Joyce’s movements are very Tom Waits, very stylized semi-phony American hipster. His voice is a bit Wait’s-like too. He’s wearing one of those old-fashioned English bicycle hats, where the brim is short and connected to the top-part of the hat by a snap.
Later that morning I wake up with opening lines for a poem, a big epic poem, rolling around in my head. The poem has nothing to do with the Joyce poems, except that in my groggy state I see Joyce’s dream work having showed me the way back into my poetry, which I’ve lost touch with since 2009. Here are the lines (I think, I’m not sure what I woke up with and what might have morphed in the several hours since I got out of bed):
We have broken the seal completely
Whirl whirl Californie whirlie whirl
and of course the cattlemen of Stockton
understand the lumber ships in San Pedro and stacked
up across the horizon
touching Japan (Terminal Island)—
into pink dusk
summer palms
And that’s all I’ve got. I don’t think it’s particularly good. Nor do I know what if anything to do with it. But the way I arrived at it is pretty cool. Worth documenting, I think, if nothing else …